This means that each speaker not only has its very own amplifier, but that each frequency (highs and lows) get their own power source too. Like the previous version, the the BX5s come sporting a Class A/B bi-amplified designed. On the other hand, if there are flaws in your music (due to the recording or compression), these speakers revealed it. When paired with a standalone DAC they made great studio albums like Massive Attack's Mezzanine and Beth Gibbons' Out of Season sound almost transcendental, with tight, punchy bass and impeccable definition and clarity. I pumped a variety of music through these updated versions of the BX5As and was alternately awe struck and horrified. It's not so great if you're using them to play a bunch of highly compressed MP3s. That's fantastic if you happen to be mixing an album in a recording studio – which, admittedly, is precisely what these monitors are made for – or feeding them high-quality, lossless audio. These bi-amped beauties are, hands down, some of the most accurate (uncolored) speakers I've listened to in a long time. If you had to describe the new BX5 D2 monitors in one word, it would be "clean."
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